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Acting as a gateway, the Whalebone Church is the face of the new settlement. Accessed from the spine road into Cley, the building connects to the main public square.
The church has a binary nature in its form and material. The exterior skin has a monolithic language and geometric plan composed of rammed earth walls, which conceal more organic forms within. Apertures connecting platonic spaces are softened through details mirroring the vertebrae pattern of Cley’s Whalebone House.
A key feature of the faith space is its contemporary adaptation of the Baroque and the related play on light and space. Deliberate manipulation of natural light is introduced through a combination of interstitial spaces and textured surfaces. Always open, the Whalebone Church is an active community hub that also provides a place of serenity.
Circulation through the building is encouraged through the space of the main hall and the adjacent secondary spaces, accessed through courtyards and a colonnade.
The triforium and prayer capsules are adorned with wall apertures that reflect the intricate whalebone pattern. Additionally, visitors have access to the terrace and café.
An Intriguing structural path is formed by the double-layered walls. The upper walls are supported by the central core that frames the atrium.
Variations of forms and patterns are studied at two scales, accessing the opportunities to express the binary nature of the church and play on light.
One of Cley’s unique treasures, the Whalebone House is decorated with a cornice of cattle teeth, foot bones and vertebrae, embedded into the stone and brick façade.