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What is the place of a leatherman in a city with no leather scene? For this marginal subculture, the closure of The Backstreet in 2022 represents an erasure of identity from London’s urban politics. This project enacts the bar’s closure, alongside a trend of closing LGBTQ+ nightlife venues, as a form of future looking to create a site of permanent sexual citizenship for London’s leather and fetish counter public.
Built upon the layers of coded meaning in the semiotics of the leather subculture, the architecture is imbued with forgotten queer narratives. The proposal becomes an act of ‘intergenerational re-remembering and a rejection of sanitised, cosmopolitan modalities of queer culture.
In reframing non-normative sexualised spaces as a point of political heritage, the building embodies a hypersexualised, hypermasculine aesthetic. An architecture of sleaze, defiantly empowering a highly stigmatised and pathologised counter public.
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'A larger element of Gay culture is rooted in the experience of numerous and often transitory encounters in which the emotional bond consists of fantasy, unexpected excitement, the tinge of possible disappointment, the adventure.'
'The queer world is space of entrances, exits, unsystematized lines of acquaintance, projected horizons, typifying examples, alternate routes, blockages, incommensurate geographies.'
'Queers are associated with the discarded, the derelict. In homophobic discourse, gay men have been commonly represented as the "waste of modernity" - surplus to the system. Homosexuality is seen as a negation of life force and creativity.'
'Constituting a "clean break" with earlier forms of urban gay culture now stigmatised as "dirty" and "unhealthy", the homonormative aesthetic can be viewed as an example of "de-generational unremembering" following the AIDS crisis in the 1980s'.
'The queer archive is from fear and forgetting, too often written in whispers and saved in scraps'.