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Building upon Claude Parent's concept of ‘oblique,’ the Bonfim Detachment project responds to Porto's dynamic background. It embraces natural decay and shifting lifecycles to create a building that emulates unstable dynamism over time.
The project proposes a complex of housing and workshops built upon an ‘oblique economy’ of materials, transcending the traditional economic cycle. The workshops play a crucial role in collecting used materials and calculating their lifespans. These materials are repurposed until their lifecycle ends. Meanwhile, "perished" materials are recycled into new components through innovative fabrication techniques, revitalising the architecture. This approach promotes dynamic spatiality and physical dynamism.
Situated in Bonfim, a former industrial district of Porto, the area encompasses the remnants of a past community, the "Ilhas," and scattered ruins. The project embodies the idea of "picking up what's left behind and fabricating into a new living reality" by establishing housing and workshops. This programme fosters social assembly opportunities, addressing housing shortages and the conflict between locals and tourist accommodations.
Decayed geological layers with varied lifecycles. Deep granite weathers into floating debris over a thousand years, repurposed as a core and supporting the facilitation of a continual recycling of temporal materials.
A gradual process of recycling, replacing originally reused material in Building Phase One. Reclaimed tiles and fibreboard are used to replace the withered building components.
The external facade unprotected from weathering is designed to disintegrate in a sequence based on calculated residual lifespan. The collapsed components are captured, collected, sorted, and re-fabricated in workshops.
A dialogical model transforming physical ‘obliques’ in the form of Porto, to a constantly metabolising ‘taskscape’ following the time pattern of interactive manipulations.
A view taken from the end of site material lifecycles, the Debris Archaeological Building, looking into housing and workshop volumes scattered upon the sloped site.