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This studio prioritised the structure of expression and the expression of structure, exploring the relationship between material, structure, form and architecture. The carnival programme also called for humour and the expression of joy. It was light-hearted in principle but required an acute understanding of the forces at play and an efficient use of resources.
FloPoTo was bold, colourful, and reached a maximum height of 9.8 meters. It consisted of 5 flexible hyperbolic units that continuously changed in height and width, celebrating the arrival of spring through a unifying ritual.
The aim of the Walking Tower was to design a structure that served both as a load-bearing construction and a performance during the parade. This tower was driven by manpower and could reach a height of five meters when people stood on top, emphasising its essential connection with people.
Ramona Kingdon, Anna Van Gucht, Sebastian Eisen, Aliza Kabani, Arina Pavlova, Mengyuan Chen and Jacque Bader.
The tower consists of flexible hyperbolic units, celebrating spring's arrival through a unifying ritual. To transport it in the parade, students collapsed and carried it.
Dark pink, light pink, bright yellow and white delineate a giant flower that blooms in the azure winds and tilts towards the Easter sun.
Xuan Zhu, Yiyang Xue, Sizhe Peng, Victoria Goraca, Nadya Kumar and Leo Lu.
The tower was propelled by manpower and could reach its maximum height of five meters when one of the group's members stood on top, highlighting its indispensable association with people.