His first revelation about nature came to him when he was a child, climbing a mountain. As he reached the summit, he felt the presence of three constant and ever-fresh sources of happiness in the world: the absence of pain, the void of sensation, and the ecstatic elevation of all things in his life. This feeling resurfaced two years ago during a trek in Yunnan, where he encountered a similar sight: a vast mountain range encircling an endless space, shrouded in mist that covered the ridges, with white vapours reaching up to the sky. The photo on the left was taken that morning. Ever since, he has been searching for a way to express accurately what he saw and felt until he discovered traditional Chinese ink painting, which, in his view, perfectly captures the 'spirit' of nature and became the inspiration for his project.

This project and the final installation are based on Chinese traditional ink painting, aiming to provide audiences with a new way of expressing their own feelings about nature, and listening to and understanding nature from an entirely new perspective.