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Sonic Storytelling: Re-interpreting Gothic Horror
An investigation into contemporary media is undertaken through the exploration of sonic landscapes and the art of foley. We aim to question how varying auditory interpretations and translations can alter the experience of a narrative in storytelling.
Our approach involves a collaborative and iterative synthesis of visuals, film, objects and sound, with a particular reference to Susan Hill's "The Woman in Black" and its subsequent adaptations. Through this process, we aim to accumulate our findings into an interactive installation that invites the Bartlett community to actively engage with our research. This engagement is facilitated through a conducted foley orchestra.
By collecting waste materials from around the studios, we have created a music box that produces sounds specifically tailored to the auditory requirements of the film being screened.
A waterphone is frequently employed in foley to create sounds for horror movies, and we encourage you to make your own.
The audience was asked to draw the score as they heard it reproduced, using gesture, line weight and mark to visualise the tones being produced by the 'instruments'.
Each score was then played to see how it can be re-interpreted and if the drawings could capture elements of the films atmosphere if played.