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Set in Porto, Portugal, a city abundant in decaying rooms in its historic centre, Public Works: Performing the Backstage transforms the processes of demolition, construction, and reconstruction into spatial experiences. Located beneath the iconic Bridge of St Luis, the selected site is embedded in the heart of Porto and is presently in severe disrepair. The project commences with the quarrying of granite from the existing dilapidated structures on-site, which is then repaired and reused in future constructions.
Introducing three primary elements: The Backstage, Re-use Looms, and a Cork Mason Yard, each operating on varying timescales, Public Works re-envisions the architect's role as that of a Playwright. Designing dynamic performances of construction, it addresses the shifting needs of Porto. Through Public Works, we experience the city as a living, breathing assemblage undergoing perpetual change.
On-Site is a design research study that focuses on reusing waste for new assemblies, questioning if components can avoid 'obsolescence' through perpetual reuse. Bridge Room, the third assemblage, probes material, site, and outside relations.
The drawing, represented in a single illustration, depicts various processes of the project, each existing at different points in time. It simultaneously reveals the Backstage walkways, Cork Mason Yard, and the Re-use Looms.
The Yard serves as a designated area for storing and reprocessing both existing stone and newly acquired cork. It acts as a dynamic material bank, with even the cork defining the workshop space designed for future use in constructing new assemblies.
Simultaneous Building Room melds installation and film, in physical space, to illustrate time-based material concepts. Physical modelling underscores reality, while Re-Construction films invoke the transience of Public Works.