How can architecture as the manifestation of cinematic and material experiences result in the therapy our society needs?

In a mad world made of tormented cities, there is a citizenship named under Leytonstone. Losing sense of time and merging with the occupant’s performance, there is a therapy centre – an observatory – taking people to places they cannot get on their own. A transcendental transition where one moves from their own Inferno to their own Paradiso through their own Purgatorio. Experiencing and going beyond the origin of the processes and the materials, one studies the essence of the individual elements interlocking with the construction systems. A compound of vessels occupied at particular times, linking the spaces to perceived durations. Dealing with gravity, space, and emotion, the centre is kept alive. Where time transforms the crimes of the future into momentary paradoxes, where one prays to get in line with the things known, to feel the pain and the sorrow of the mad world.